Movie Noise: Underdogs (2016)

Host Derek Coward talks about the upcoming release of Underdogs (2016).
underdogs 2016

PLP – Pod Shots – Creed

In this episode, I am joined by returning guest, John Siuntres to discuss the 2015 film Creed! It’s always fun chatting with John and this episode is no different, check it out!

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Music: Future – Last Breath

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http://www.movienoise.com/plainlabel/podcasts/PodShots092.mp3

Aisle of the Damned: 7/6/16- Social Networkland

They had it coming.

Kent and Bryan are limping through a summer of unrequested sequels and retreads. We discuss the way a lot of sequels have been failing at the box office and which films have bucked the trend. We also give our top entertainment picks for this month, discuss the implications of the Ultimate Batman v Superman cut and also the 180 that Warner Bros. has pulled on Justice League. Later, they talk The Conjuring 2, Finding Dory, Teenage Mutant Ninja Turtles: Out of the Shadows, Central Intelligence and the long expected follow-up, Independence Day: Resurgence.

Come and sequel, won’t you?

Music:
The Aquabats- Stuck in a Movie
The Lillingtons- Invasion of the Saucermen

PLP – Episode 105 – Remakes Part 1

image

Welcome back to the Plain Label Podcast!  In our grand return we begin the theme of Remakes!  this episode Rachel and Eric discuss the original and remake of Ocean’s 11! Do yourself a favor and check it out! 

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Music: Evil Presley – A Little Less Conversation

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http://www.movienoise.com/plainlabel/podcasts/PlainLabelPodcast105.mp3

PLP – Pod Shots – Independence Day: Resurgence

In this episode, in our return to our weekly schedule, I am joined by returning guest, Sean Stangland to discuss the 2016 film Independence Day: Resurgence! It’s always fun chatting with Sean, even though the movie is a complete pile, check it out…the podcast, not the movie.

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Music: Independence Day: Resurgence Finale – Soundtrack Score OST

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http://www.movienoise.com/plainlabel/podcasts/PodShots093.mp3

ericdwilliams: Look for the Plain Label Podcast to return July…

ericdwilliams:

Look for the Plain Label Podcast to return July 6th with our new theme of remakes!

Aisle of the Damned: 6/6/16- It’s a Metaphor for the Suburbs

Baldpocalypse Now!

Bryan and Kent wonder if their mutant power is thinking they saw a different movie than other people; they actually like this critically-maligned X-film. Unless you can read minds, you’ll have to listen to find out why.

Also, find out our thoughts on Jon Favreau’s The Jungle Book, Neighbors 2: Sorority Rising, our recommended picks and a remembrance of the late, great Darwyn Cooke. All this and news in the latest episode of Aisle of the Damned.

Music:
The Aquabats- Stuck in a Movie
The Suicide Machines- It’s the End of the World as We Know It (And I Feel Fine)

Movie Noise: Captain America: Civil War Parking Lot Review

Host Derek Coward and his son Stephen talk about the 2016 movie Captain America: Civil War.
Captain America Civil War

Aisle of the Damned: 5/10/16- ****ING [spoiler redacted] MOTHER****ER!!

Face/Off 2

Bryan and Kent jump with both feet into the summer movie season with Captain America: Civil War.

Despite a disappointing lack of appearances by Robert E. Lee and Ulysses S. Grant, they’ll make do with Iron Man and Captain America having an ideological measuring contest. Spoiler: the audience wins.

Also, reviews of Keanu, Everybody Wants Some!!, The Nice Guys, and Green Room, plus our recommendations and discussions of the Rogue One trailer. All this and less in the new episode of Aisle of the Damned!

MUSIC:
The Aquabats- Stuck in a Movie!
The Rolling Stones- Street Fighting Man

Kent’s Damned Movie Reviews: Keanu

And here I thought it was a Doggy Dogg world.

Sketch comics/stand-ups taking the lead in their first movie is in some ways a right of passage. Steve Martin’s The Jerk probably stands as the high water-mark,* but most have some sort of value in terms of being a look at a performer’s comedic worldview while they’re still hungry. Take Billy Madison as an example. It may not be regarded as a great film by a lot of people but, in the words of Undeclared, there’s something a bit “punk rock” about it. Something that diminished until Adam Sandler turned into a dead-eyed, haunted-looking shell of a human being.

Keegan-Michael Key and Jordan Peele have been around a while, individually working on projects and appearing in films and TV shows, but Keanu is their first film following the break-out success of their sketch show on Comedy Central. Personally I haven’t watched much of their stuff. Just a few bits here and there which have virally wafted my way courtesy of Facebook. Of course I loved their Gremlins 2 bit, being a huge fan of that film. But my limited TV viewing hasn’t drifted that way. That said, this film seems very much an extension of what I’ve seen from them, so I’m going to make the not-so-wild assume that it is very much tapped into that same vein of “firsts.”

The plot itself makes some less than subtle allusions to being a goof of the Liam Neeson Taken trilogy as the pair attempt to get back the kitten of the title when he’s stolen. It turns out this particular cat’s cuteness is a bit infectious because it becomes a running gag that everyone he comes in contact with becomes so enamored with him that they lose all common sense. However, apart from that basic framework there really isn’t that much to tie the film thematically to the ongoing saga of the man the internet has dubbed “John Taken.”

In fact, much of the film seems to settle into a much better (and certainly funnier) version of the central conceit of the maligned Will Farrell/Kevin Hart vehicle Get Hard, as the duo attempts to bluff their way through the criminal underground. Or at least the Hollywood version of ‘gangsta culture,’ though it seems more authentic than some depictions, despite the comedic aspects.

The main issue with the film is uneven pacing. There is an extended sequence in the middle of the film which I think best exemplifies this; it features a pretty good cameo, but drags on and on as it spends its time divided between the inside and outside of a Hollywood estate. Unfortunately, things are much funnier in the car and, at least in my case, I found myself regretting every return to the interior; up until a fantastic gag caps the scene. (One which is ultimately negated in the wrap-up, but I’m trying not to focus on that.)

It’s great that Key and Peele take things in a different direction than what one may expect by abandoning the idea of a strict parody of their inspiration for the story (though I could see a very different, equally funny movie coming from sticking to that concept) but they still seem to have a hard time filling the 90 minutes of the film. They come close enough that one can’t deny their success though, at crafting an overall entertaining experience that captures their spirit.

(Three and a half damns given out of five)

*Mostly because Monty Python’s initial offering was their recycled sketch film, …And Now for Something Completely Different.